On the Systematicity of Soliloquy in the Algerian Folk Poetry : Ibn M’sayeb as a Case inPoint

Abstract

Religion is a dominant cultural and human mobility-oriented pattern. Poetry is a form of religious and cultural knowledge at the same time, deriving its legitimacy and the legitimacy of its poetry by belonging to the cultural heritage, which is veiled by religious references, and whose verbal and graphic effects on the recipient's psyche have been reflected. According to this statement, the popular poet Ibn Messaib also took a platform from the sacred religious system to advocate the principles and ideas he believed in and became
defended by thought and belief. To uphold the lofty moral ideals and values he advocated and secure their
nodal content during his poetic speech.
A close reading of Ibn Messaib poetry shows that he has weaved his hair on the margins of diverse
cultural sources The Holy Quran, heritage, and Arab poetry to reflect the psychological attitudes he has experienced in his life, Social, political, as well as expressing his wishes and aspirations, the religious pattern was evident in his poetry speech. This was demonstrated to us by the dominance of the patterns of soliloquy, anxiety and religious morality in the poems of the Tlemcen folk poet.