Manifestations of the Narrator in the Poetry Collection abariq Mahashama by Abdul WahabAl-Bayati

Abstract

This study explores the presence of the "narrator" in its various forms in the collection "Shattered
Pitchers" by the Iraqi poet Abdul Wahhab Al-Bayati, revealing the aesthetics of the narrative details employed by the poet in this collection. The research begins with the climax hypothesis that AlBayati
The research explores the manifestations of the narrator: tracing the ideas that focus on the
narrator's voice in the collection's poems, whether as an omniscient narrator, a participant in the
events, or hidden behind the pronouns of the speaker, the addressee, or the narrator. In addition to
the distance separating the narrator from the events and characters, this is found in the types of
narration and the perspective.
and other effects that lend the poetic text a pictorial character and also contribute to shaping
its aesthetics. We will explore the multiplicity of narrators among the authors and among the
various poems in the collection, and how this diversity contributes to influencing the horizons of
interpretation. We will explore the artistic and aesthetic implications of this diversity of narrative
voices, and how Al-Bayati was able to skillfully employ the techniques of correspondence in a
unique and distinct poetic experience in his collection "Shattered Pitchers," which subsequently
helped us understand this pioneering poetic work.